Dances - Bharatnatyam
PRATHAMA (First
Year) PRACTICAL
M.M.-200
1
Exercise
in
Bharata
Natyam.
2
Practice
in
all
Adaus
in
three
Kalas.
3
Drishti,
Griva
and
Shirobhed.
4
Sapta
Taal
and
Pancha
Jatis
Note:
There shall
be no
Theory Paper
in Prathama
(First Year)
in Bharatnatyam Dance.
BHARATNATYAM
DANCE
PRATHAMA (Second
Year)
PRACTICAL
M.M.-200
1.
Hastas:
Asamyaukta,
Samyukta.
2.
Nadai Adaus.
3.
Alarippu
Tisram.
4.
Jathiswaram.
5.
Tala
Knowledge
of
seven
Talas
in
5
Jatis
with
Clapping.
BHARATNATYAM DANCE
PRATHAMA
THEORY
M.M. 100
1
Origin
of
Indian
Dance
in
Mythology.
2
Technical
terms
used
in
Bharata
Natyam
(Nritta,
Nritya,
Natya).
3
General
Introduction
to
the
four
main
Classical
dance
forms
in
India.
4
Basic
Knowledge
on
the
South
Indian
Taal
System.
5
Introduction
to
Abhinaya
Darpan.
6
Contribution of the 4 brothers
(Chinnayya, Ponnayya, Sivanandam and
Vadivelu )
to Bharatnatyam.
7
Ability
to write all the bola and Talas learnt according to the South Indian
Notation system.
BHARATNATYAM DANCE MADHYAMA
PART 1
PRACTICAL
M.M 200
Revision
of
previous
course.
1.
Asamyakta
Hasta
Viniyoga
1
to
10
2.
Pada
Bheda
3.
Pushpanjali
1
4.
Shabdam
1
5.
Padam 2
BHARATNATYAM DANCE MADHYAMA
PART 1
THEORY
M.M
100
Revision
of
Previous
Course.
1.
Brief
study
of
Natya
Shastra
pertaining
to
dance.
2.
Basic
knowledge
of
North
Indian
Talas.
3.
Broad
Knowledge of story content of Mahabharat and the place of dance in it.
4.
Different
schools
of
Bharatnatyam
5.
Tandava-
Dance
of
Shiva
6.
Life
sketch
of
Rukmini
Devi
Arundale.
7.
Ability
to write
all the
Talas and
Bols of
dance items
learnt according to
South Indian
Notation system.
BHARATNATYAM DANCE MADHYAMA
PART 2
PRACTICAL
M.M 200
Revision
of
previous
course.
1.
Asamyakta
Hasta
Viniyoga
(All)
2.
Mandal Bheda.
3.
Padam 1
4.
Tillana 1
5.
Kirtanam 1
6.
Javali
1
7.
Knowledge
of
Sapta
Tala
BHARATNATYAM DANCE MADHYAMA
PART 2
THEORY
M.M
100
Revision
of
previous
course.
1.
Broad
knowledge of
the story content
of Ramayana
and the
place of dance
in it.
2.
Lasya-
Dance
of
Parvati.
3.
Life
sketch
of
Bala
Saraswati.
4.
Detail
study
of
Instruments
used
in
Bharat
Natyam.
5.
Ability
to write
all the
Talas and
bols of
Dance items
learnt according to
South Indian notation
system.
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BHARATNATYAM
DANCE
VISHARAD PART
I PRACTICAL
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M.M.-200
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1
|
Devata
hastas,
Jati
Hastas,
Bandhava
Hastas.
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2
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Kirtanam
or
Javali
or
Padam
I.
|
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3
|
Kshetriya
Padam
or
Ashtapadi
(Jaideva)
I.
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4.
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Varnam
I.
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5
|
Slokam
I.
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BHARATNATYAM
DANCE VISHARAD PART I
THEORY
M.M.-100
1.
Explanation
of
the
term
Abhinaya
and
its
four
parts.
2
Comparative study
of
the
four
main
classical
dance
forms
in
India.
3.
Broad
outline
of
the
history
of
Indian
Dance
(Chola
Pallava
Period).
4.
Stories
of
the
dance
of
Shiva
(Tandavas).
5
Study
of
Nava
Ras.
6
Comparative
study
of
the
Tal
system
of
North
and
South
India.
BHARATNATYAM
DANCE
VISHARAD PART
II
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PRACTICAL
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M.M.-200
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1.
Dashavatara
hastas and
Navgraha
hasta
2.
Kautuvam
|
1
1
|
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3.
Jatiswaram
|
1
|
|
4.
Shabdam
|
1
|
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5.
Javali
or
Padam
1
6.
Kshetriya
Padam
or
Ashtapadi
1
7.
Tillana
1
8.
Slokam
1
BHARATNATYAM DANCE VISHARAD
PART II
THEORY
M.M.-100
1
Comparative
study
of
Abhinaya
Darpan
and
Natya
Shastra.
2
Devadasi
cult
in
Bharatnatyam.
3
Dance
of
Krishna
(Ras
Lila
and
Kaliya
Maradan).
4
Nayak
and
Nayika
Bhed
in
Indian
Dance.
5
Renaissance
in
Indian
Dance.
6
Details
study
of
history
of
Bharata
Natyam.
7
Introduction to
the other
relatively lesser
known classical
dance Bhagwat mela,
Yakshagana and Chhau.
8
Ability
to write all the bols and Talas learnt according to the South Indian
Taal system.
BHARATNATYAM DANCE NIPUN PART 1
THEORY PAPER
1
M.M.-100
1.
Detailed study
of Bharatnatyam - History,
renaissance and Development.
2.
Bharatnatyam
Bani.
3.
Knowledge about all
the items
in Bharatnatyam
Margam.
4.
Detailed study about
Devadasi tradition
in
India.
5.
Life sketch of
following Gurus
and their
contribution in
dance-
a.
Tanjore
Brothers
b.
E. Krishna
lyer
c.
Rukmini Devi
Arundel d.Balasaraswati
6.
Detailed study of
four types
of
abhinaya.
7.
Study of Tala
Das-Prana.
8.
Study of technique
of bharatnatya
- Nritta,
Nritya,
Natya.
9.
Dance of
Shiva.
10.
Lasya in dance.
11.
Brief knowledge of
Natya Shasta
and Abhinaya
Darpan
12.
Ability to write
in notation
dance items
learned in
class.
13.
Describe
Arangetram
14.
Study of dance
in Ramayana
and Mahabharat
15.
General study on
classical Dances
of India.
BHARATNATYAM DANCE NIPUN PART 1
THEORY PAPER
2
M.M.-100
An essay
on any
topic of
dance of
general
interest.
BHARATNATYAM
DANCE
NIPUN
PART
1
PRACTICAL
M.M.-200
1.
Revision of all
Adavus
2.
Alarippu - Any
2
3.
Jatiswaram - Any
2
4.
Shabdam - Any
2
5.
Tillana - Any
2
6.
Choreography
of two
korvais in
Aadi Taal.
7.
Demonstration
of Shiro
bheda, Drishti
bheda, Greeva
bheda
8.
Demonstration
of Mandal
bheda and
Sthanak
bheda
9.
Asamyukta hasta bheda
with
viniyoga
10.
Ability to present
in tala
all the
dance items
learned in
class
11.
Ability to do
Nattuvangam of all
items learned
in Class.
BHARATNATYAM DANCE NIPUN PART 2
THEORY PAPER
1
M.M. 100
1.
Detailed study of
Rasa -
bhava.
2.
Study of Ashta
Naiyka in
context of
dance.
3.
Study of Nayaka
Bheda.
4.
Comparitive study of North Indian
Tala System
and South
Indian Tala System.
5.
Introduction
to various
Folk dances
of
India.
6.
Detailed study of
Prekshagraha
(Auditorium ) according
to Natya
Shastra.
7.
Brief introduction of
western dance,
its history
and
development.
8.
Detailed study of
Indian classical
dances.
9.
Life sketch
of:
a.
Tyaga
Raja
b.
Shyama Shastri
c.
Muttuswami Dixtar
d.
Maharaja Swathi Tirunal
10.
Aesthetics in
dance
11.
Brief study
of Karnas
12.
Ability to
write in
notation items
learned in
class
13.
Story of
Key Character of Ramayan
& Mahabharat
14.
Brief study
of Natya
Shastra and
Abhinaya
darpan
BHARATNATYAM DANCE NIPUN PART 2
THEORY PAPER
2
An essay
on any
topic of
dance of
general
interest.
M.M.100
BHARATNATYAM DANCE NIPUN
PART 2
PRACTICAL
M.M.-200
1.
Pushpanjali
/ Kautvam
- Any
2
2.
Varnam - Any
2
3.
Padam - Any
2
4.
Choreography
of two
korvai in
Rupak
Tala.
5.
Demonstration
of samyukta
hasta bheda
with
viniyoga
6.
Demonstration of Deva
hasta, Bandhav
hasta, Navgraha
hasta, Dashavatara hasta
7.
Ability to present
in tala
all the
dance items
learned in
class.
8.
Ability to do
Nattuvangam of all
items learned
in Class.
BHARATNATYAM DANCE NIPUN PART 3
Note:
There shall
be no
Theory Paper.
Only Practical
Examination in
two
parts shall
be conducted
PRACTICAL
M.M.- 400
STAGE
PERFORMANCE
M.M.-200
1.
Revision of all
the dance
items learned
in previous
years
2.
Swarjathi - Any
1
3.
Ashtapadi / Dashavatara
- Any
1
4.
Javali - Any
2
5.
Keertanam/Bhajan
- Any
2
6.
Ability to do
Nattuvangam of all
items learned
in Class.
VIVA VOCE
M.M. 200
1.
Revision of previous
years
syllabus
2.
Choreography
of any
item learned
by
you
3.
Demonstration
of Chari
Bheda, Utplavan
Bheda, Bhramari
Bheda
4.
Ability to present
in tala
all the
items learnt
in class.
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