Dances - Folk Dance

                        FOLK DANCE PRATHAMA (FIRST YEAR)
                                                PRACTICAL

M.M. : 200

1.          Simple Physical exercises on rhythm of Taal-Kaharwa, Khemta and Dadra.

2.           Chali Nrittya (Manipur Style)

3.           Kartaali Nrittya.

4.           Tippri Nrittya.

5.           Karma Nrittya (Uttar Pradesh)

6.           Ghasiyari Nrittya (Uttar Pradesh)

7.           One composition based on Folk Style in Ravindra Sangeet.

Note :- There shall be no Theory paper in Prathma-First Year (Folk Dance). 

FOLK DANCE PRATHAMA
PRACTICAL

M.M.-200

1.           Simple physical exercises on Rhythm-Kaharva , Khemta and Dadra

Taal (Exercise of Head, Neck, Shoulders, Elbow, Arms, Wrist, Finger, Waist, Hips, Knees, Legs, Feet, Heels, Stomach and eyes).

           (a) Footwork (b) Stepping (c) Waist Movement (d) Hand Movement (e) Chest Movement (f) Head Movement (g) Eye Movement (h) Body Molding (i) Step Dancing

2.           Chali Nrittya ( Manipur Style)

3.           Kartali Nrittya

4.           Tipri Nrittya (Uttar Pradesh)

5.           Lezim Nrittya (Advance for Exercise)

6.           Dhamali Nrittya (Surma Velly)

7.           Santhal Nrittya (Bihar)

8.           Garba Nrittya ( Gujarat)

9.           Ghasiary Nrittya ( Uttar Pradesh)

10.        Lili Ghori (Rajasthan) 

                                            THEORY

M.M.-100

1            Knowledge of any three of the second years dances their instruments, costumes and back grounds.

2            Knowledge of Taal-Roopak, Jhaptal, Choutal, Kaharva, Dadra and Khemta.

3            Definition of Folk dance and Classical Dance their similarity and differences.

4            Basic Knowledge of Folk Dance of U.P.

5            Detailed knowledge of the folk dance of Kumaun Region.

6            Classification of Musical instruments used in Folk Dance.

7            Life sketch of any one of the following:-

(a)         Udai Shankar

(b)         Shanti Vardhan 

FOLK DANCE MADHYAMA PART-I
PRACTICAL

M.M.-200

1.          Advance exercise based on Taal Kaharwa, Khemta, and Dadra Taal with chest movement, eye movement, body molding and step dance.

2.           Bihu Nrittya                      (Assam)

3.           Saira Nrittya                     (U.P.)

4.           Dandi Raas Nrittya           (Rajasthan)

5.           Bodo Nrittya                     (Assam)

6.           Kabui Naga Nrittya           (Nagaland)

7.           Ghoomer Nrittya              (Rajasthan)

8.           Karma Nrittya                  (Uttar Pradesh)

9.           Gidda Nrittya                   ( Punjab)

10.        Knowledge of the single Hand Mudras according to Natya Shastra. 

                                                THEORY

M.M.-100

1.          Knowledge of any three of the Third Years Dances, their instruments, costumes and back grounds.

2.           Knowledge of Taal:-

Kaharva, Dadra, Khemta, Trital, Daskosh (No dance in this course on Trital and Daskosh)

3.          Knowledge of the Folk dance and classical dance-their similarity and difference.

4.           An outline of the Folk Dance of Gujarat or Manipur or Assam

5.           Definition of Nattya, Nritta, Nritya.

6.           Knowledge of the single hand Mudras according to Natya Shastra.

7.          Life sketches of any one Guru of Manipuri Dance - Guru Amubi Singh, Raj Kumar Senarik Singh.

8.           Making of paper pulp.

 

                                    FOLK DANCE MADHYAMA PART- II
                                                 PRACTICAL

M.M. 200

1.           Chholia Nrittya

2.           Bou or Badhu Varan Nrittya (Bengal)

3.           Lavani Nrittya (Maharashtra)

4.           Jhoomer Nrittya (Bihar, Orissa)

5.           Tatina Nrittya ( Himachal Pradesh)

6.           Thali Nrittya (Uttar Pradesh )

7.           Lezim Nrittya ( Advance for Exercise)

8.           Garaj Nrittya ( Uttar Pradesh)

9.           Thoibi Nrittya ( Manipur)

10.        Knowledge of paper pulk work.

11.        Knowledge of double hand Mudras according to Natya Shastra. 

                            FOLK DANCE MADHYAMA PART- II
                                            THEORY

M.M.-100

1.          Knowledge of any three of the Madhyama Part II Dances, their instruments, costumes and back grounds.

2.          Knowledge of single and double Hand Mudras according to Natya Shastra.

3.           Knowledge of Nava-Ras

4.          Knowledge of the Folk Dance and Classical Dance- their similarity and difference

5.           An outline of the Folk Dance of Uttar Pradesh or Gujarat or Rajasthan

6.           Life sketch of any one of the following :

a.           Rabindra Nath Tagore.

b.           Smt. Rukmini Devi.

7.           Knowledge of Taal-Dhamar, Deepchandi, Choutaal and Ektaal.

8.           Basic knowledge of Indian Classical Dances.

9.          A knowledge of the origin of Dance according to Natya Shastra of Bharat.

10.        Knowledge of the following terms:-

Laya, Sangeet, Tandava, Lasya, Chhand, Taal, Thekha, Nattya Nrittya and Nritya. 

FOLK DANCE VISHARAD PART - I
PRACTICAL

M.M.-200

1.           Kummi-Kollattam Nritta                 (Tamil Nadu)

2.           Holi Nritta                                    (U.P.)

3.           Ojha Nritta                                   (Assam-Cachar)

4.           Gidda Nritta                                 (Punjab)

5.           Khomba-Thoibi Nritta                    (Manipur)

6.           Gajan Nritta                                 (Bengal)

7.           Naga Nritta                                  (Kabui-Nagaland)

8.           Chheran Nritta                             (Mizoram)

9.           Maibi Nritta                                  (Manipur)

 

FOLK DANCE VISHARAD PART - I
THEORY

M.M.-100

1.          Knowledge of any three of the Fourth Year Dances, their instruments, costumes and backgrounds.

2.          Knowledge of Tala-Trital, Ektal, Ada Choutal. (No dance on the above tals).

3.           An outline of the Classical Dances.

4.           Knowledge of double hand Mudras according to Natya Shastara.

5.           Make-up of the folk dancers while dancing at their home place.

6.           Life sketches of Guru Gopi Nath, Smt. Rukmini Devi Arundale.

7.           Marking of Masks.

8.           Folk dances of India and their classification. 

 

FOLK DANCE VISHARAD PART- II
                      PRACTICAL
  
                       

M.M.-200 

1.           Bhangra Nritta                             (Punjab)

2.           Kurubanjee Nritta                         (Tamil Nadu)

3.           Pung Cholom Nritta                      (Manipur)

4.           Chhou Nritta                                (Bengal)

5.           Bhotal Nritta                                 (Assam)

6.           Pandau Nritta                               (U.P.)

7.           Kachhi Ghori Nritta                       (Rajasthan)

8.           Baul Nritta                                   (West Bengal)

9.           Ta-Tang Nritta                              (Manipur)

10.        Students are required to compose dance on Kaharva and Khemta talas at the time of Practical Examination on any two of the following:-

           (a)         Makhan Chori 

           (b)         Kaliya Daman

           (c)      Pea-cock (Mayur Nritya)

           (d)         Gend-Khel (Kuadak Krida)

           (e)         Fish-catching (Matsa Akhet)

           (f)          Harvesting (Khaliyan)

 

FOLK DANCE VISHARAD PART - II
THEORY

M.M.-100

1.          Knowledge of any three of the Fifth Year Dances, their instruments, costumes and back grounds.

2.           Explain Abhinaya with its four parts.

3.           Definition of Navaras, Sangit, Nritya-Natya Ballet, Opera.

4.          Contribution of Rabindranath Tagore to the folk dance and folk songs.

5.           Explain Natya Shastra and Abhinaya Darpan.

6.           The Rassas according to Shastra and their explanation.

7.           Relation between Folk dance and Classical Dance.

8.           Life sketch of Bindadin Maharaj.

9.           Manner of dressing of the Folk Dancers at the time of their festival.

10.        Folk Dances of India and their classification.

 

 

 

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